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Ritmo del
Fuego/ Rhythm of Fire
RITMO
DE FUEGO is an innovative bi-national community-based
project presenting the traditional and contemporary copper
smithing art of the small mountain town of Santa
Clara del Cobre. This comprehensive project has been organized
during the past six years through a bi-national collaboration of
many distinguished and dedicated scholars and institutions in both
Mexico and the United States. Ritmo de Fuego is accompanied by an
upcoming exhibition, a bilingual ½ hour documentary video,
Huele de Noche (Night Blooming Jasmine), Ritmo de Fuego/
Rhythm of Fire, a bilingual compendium of 21 interdisciplinary
essays, and extensive community programs.
Santa Clara del Cobre is located in the highlands
of the west central Mexico, in the state of Michoacán. This
region is renowned worldwide for its ancient metal smithing mastery,
which originated with its indigenous P’urhepecha people and
its moving observances of the Dia de los Muertos/ Day of the Dead
traditions. Today, the artisans of Santa Clara synthesize pre-Columbian,
Colonial, and Modern-day copper smithing techniques to create hammered
copper objects whose physicality is transformed into symmetrically
balanced forms of expressive tension and a poised sensuality.
Through its celebration of the human spirit, RITMO DEL FUEGO inspires
audiences to explore the diversity of cultures we share in the USA.
This multi-disciplinary presentation will demonstrate the fluid
interdependence and interconnection of community, culture, technology,
politics, art, and economy and mirrors the growing ties between
the USA and Mexico, promoting cultural understanding within and
between our changing national and transnational communities. This
project is particularly relevant to Chicago,
which is home to over 1,100,000 residents of Mexican descent, at
least 16 percent of whom have emigrated from the state of Michoacán.
In the upcoming exhibition, exceptional contemporary
copper objects, from Santa Clara and the surrounding region will
be drawn from USA and Mexican collections, and commissioned especially
for this exhibition. Photographs will be included documenting utilitarian,
ceremonial, and decorative Pre-Columbian and Colonial objects. The
selection will dramatically illustrate the transformation and resilience
of culture as documented in the passage of the ancient coppersmithing
techniques, from 600 A.D. through the second millennium.
Passed on from family to family, this ingenious
and physically demanding craft requires intense collaboration and
interdependence among its artisans and exhibits a complex and sensitive
choreography of sound, rhythm, and movement. A bi-national interdisciplinary
team of experts in the fields of anthropology, archeology, biology,
Mexican popular arts, contemporary art, & art history, ethno-musicology
and dance are collaborating to create this multi-faceted presentation
of Santa Clara and its historical and cultural context, meaning,
relevance, and significance.
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